Hexagram 6, line 5
九五Line 5 of Dispute
Nine in the fifth place · 訟 sòng
爻辭 The line text
訟元吉。The fifth line, undivided, shows its subject contending;—and with great good fortune.
訟元吉,以中正也。'He contends;—and with great fortune:'—this is shown by his holding the due mean and being in the correct place.
In plain words
'The dispute: supreme good fortune.' Line five is the ruler of Song — yang in a yang place, central in Qian, correct and central — and it is the 'great person' whom the judgment says it is favourable to see. This is the one line in the hexagram that is not a party to the quarrel but the one who settles it. The small Image gives the reason for the great good fortune in four characters: because it is central and correct (以中正也). The Tuan commentary says the same: the great person is valued because of exactly this. Cheng Yi reads it from both sides — the arbiter who judges fairly, and the litigant who brings a case before such an arbiter, both end well.
If this line is changing
Either you are the one in a position to judge fairly, or you should bring the matter to such a person; what is central and correct settles the dispute, not the strength of either side.
Where the line stands
- A solid line, yang — written 九 (nine), the number of an old yang line that moves when cast.
- It is in its correct place (當位): a yang line in an odd position or a yin line in an even one, which the tradition reads as a line at ease where it stands.
- It is central (中): the middle line of its trigram, the position the commentaries read as balanced and most favourable.
- It belongs to the upper trigram 乾 Qian (the Creative) (heaven).
- It has no correspondence (無應) with line 2: both lines are yang, so this line must find its support in its neighbours or in itself.
之卦 When this line moves
訟 Dispute becomes ䷿ 64 未濟 Not Yet Crossed
Fire over water, every line out of place: not yet across. Success is possible — but the little fox, nearly over, wets its tail; nothing is favourable yet. The Book ends with the crossing still ahead.
What it becomes64 · 未濟 Not Yet Crossedwèi jìThe six lines of 訟 Dispute
- 初六Six at the beginningnot prolonging · a little talk · clear in the end
- 九二Nine in the second placecannot win · going home · the town is spared
- 六三Six in the third placeliving on old merit · steadfast but perilous · no credit
- 九四Nine in the fourth placecannot win · turning back · changing one's mind
- 九五Nine in the fifth placethe judge · supreme good fortune · central and correct
- 上九Nine at the topthe belt of honour · stripped three times · won by litigation
Read 訟 Dispute for a question about
Questions about this line
- What does Nine in the fifth place of hexagram 6, Dispute, mean?
- 'The dispute: supreme good fortune.' Line five is the ruler of Song — yang in a yang place, central in Qian, correct and central — and it is the 'great person' whom the judgment says it is favourable to see. This is the one line in the hexagram that is not a party to the quarrel but the one who settles it. The small Image gives the reason for the great good fortune in four characters: because it is central and correct (以中正也). The Tuan commentary says the same: the great person is valued because of exactly this. Cheng Yi reads it from both sides — the arbiter who judges fairly, and the litigant who brings a case before such an arbiter, both end well.
- What does hexagram 6 become when line 5 changes?
- Dispute becomes hexagram 64, 未濟 Not Yet Crossed: Fire over water, every line out of place: not yet across. Success is possible — but the little fox, nearly over, wets its tail; nothing is favourable yet. The Book ends with the crossing still ahead.
- Is line 5 of Dispute in its correct place?
- It is in its correct place (當位): a yang line in an odd position or a yin line in an even one, which the tradition reads as a line at ease where it stands. It is central (中): the middle line of its trigram, the position the commentaries read as balanced and most favourable.
Chinese text: the received Zhouyi (Wuyingdian lineage). English: James Legge, The Yî King, Sacred Books of the East XVI, 1882 (public domain).